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OBJECTS.
(a long dress)

"What is the current that makes machinery, that makes it crackle, what is the current that presents a long line and a necessary waist. What is this current.

What is the wind, what is it.

Where is the serene length, it is there and a dark place is not a dark place, only a white and red are black, only a yellow and green are blue, a pink is scarlet, a bow is every color. A line distinguishes it. A line just distinguishes it."


FOOD.
(breakfast)

"A change, a final change includes potatoes. This is no authority for the abuse of cheese. What language can instruct any fellow.

A shining breakfast, a breakfast shining, no dispute, no practice, nothing, nothing at all.

A sudden slice changes the whole plate, it does so suddenly.

An imitation, more imitation, imitation succeed imitations.

Anything that is decent, anything that is present, a calm and a cook and more singularly still a shelter, all these show the need of clamor. What is the custom, the custom is in the centre.

What is a loving tongue and pepper and more fish than there is when tears many tears are necessary. The tongue and the salmon, there is not salmon when brown is a color, there is salmon when there is no meaning to an early morning being pleasanter. There is no salmon, there are no tea-cups, there are the same kind of mushes as are used as stomachers by the eating hopes that makes eggs delicious. Drink is likely to stir a certain respect for an egg cup and more water melon than was ever eaten yesterday. Beer is neglected and cocoanut is famous. Coffee all coffee and a sample of soup all soup these are the choice of a baker. A white cup means a wedding. A wet cup means a vacation. A strong cup means an especial regulation. A single cup means a capital arrangement between the drawer and the place that is open.

Price a price is not in language, it is not in custom, it is not in praise."


ROOMS.

"Dance a clean dream and an extravagant turn up, secure the steady rights and translate more than translate the authority, show the choice and make no more mistakes than yesterday."

...


"A light in the moon the only light is on Sunday. What was the sensible decision. The sensible decision was that notwithstanding many declarations and more music, not even notwithstanding the choice and a torch and a collection, notwithstanding the celebrating hat and a vacation and even more noise than cutting, notwithstanding Europe and Asia and being overbearing, not even notwithstanding an elephant and a strict occasion, not even withstanding more cultivation and some seasoning, not even with drowning and with the ocean being encircling, not even with more likeness and any cloud, not even with terrific sacrifice of pedestrianism and a special resolution, not even more likely to be pleasing. The care with which the rain is wrong and the green is wrong and the white is wrong, the care with which there is a chair and plenty of breathing. The care with which there is incredible justice and likeness, all this makes a magnificent asparagus, and also a fountain."



Stein's writing, "stream-of-consciousness" kind of approach.

Marxant del malagueny Picasso. De les primers que va saber apreciar el seu art. Per aquestes contrades això del cubisme no ens acabava de fer el pes, que un cap i un cos són un cap i un cos, no coses estranyes que no ens atrevim a observar. Curiós, grans artistes que teniem i pocs marxants que els sabessin apreciar, que havien de venir cultes-riques-excèntriques americanes a valorar-nos l'art.....i per això ara tot plegat volta per París o els States.
...bé però, en honor a una veritat, nosaltres veniem d'una llarga tradició cultural i artística, de cànons i rigideses de vell ordre i magnanimitat i en d'altres llocs tot estava per fer, i doncs, tot era possible i acceptable sense prejudicis ni curtes i determinades mires.



La bassa i la fàbrica que Picasso va veure a Horta de Sant Joan.

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