Tennessee Williams, crack

"I don't have any money," he told her. "But I thought you might have something to eat you could give me."
...
The woman came back to the platform.
"I give you an apple," she said.
"Oh, thanks."
...
The woman seated herself on the top step of the trailer.
"Sit down," she said hoarsely.
"Thanks."
He seated himself on the bottom step, at the same time raising the apple to his mouth. The hard red skin popped open, the sweet juice squirted out and his teeth sank into the firm white meat of the apple. It is like the act of love, he thought, as he ground the skin and pulp between his jaw teeth. His tongue rolled around the front of his mouth and savored the sweet-tasting juice. He licked the outside of his lips and felt them curving into a sensuous smile. The pulp dissolved in his mouth. He tried not swallowing it. Make it last longer, he thought. But it melted like snow between his grinding teeth. It all turned to liquid and flowed on down his throat. He couldn't stop it. It is like the act of love, he thought again. You try to make it last longer. Draw out the sweet final moment. But it can't be held at that point. It has to go over and down, it has to be finished. And then you feel cheated somehow.
"That was good," he said to the woman. "I never tasted an apple as good as that!"
"Maybe it tasted good because you was hungry", she said.
"Yes. Maybe".
...
He looked at her again. He had to say something to keep his lips from spreding into a senseless grin.
"What time is it?"
The woman grunted vaguely.
He hitched at the belt of his trousers.
"Your man gone into town, has he?"
"Yeah. Him and my boy have gone into town to get drunk."
She laughed shortly.
...
"What are you going to do?" he asked her again.
"Me? I'm going to make supper."
"What have you got for supper?"
"Meat."
"A big piece?"
"Yes. A pretty big piece."
"Enough for two people?"
"Naw, I don't know," she said. "I ought to save some for my boy."
"He'll probably get some in town."
"Naw, I don't know."
He smiled and narrowed his eyes but she looked away. She fixed her eyes on the round orange ball of the sun. It was now sending up wide beams of pale orange light between the feathery masses of pale grey cloud. Very pretty. It made him think of a dress his sister had worn one Easter Sunday. Streets paved with gold. Oh, yes. The black rails. Fire escape? No. Tracks of the viaduct. And the train screaming by. His mother. How clear her voice!-Irma, don't stand by the window like that. The soot flying in. Confirmation. The five colored eggs in one corner. Pale blue and pink and yellow and green. Hardboiled eggs. He wondered if he had eaten them afterwards. Eggs were good hardboiled. The white coming loose from the yellow center. The yellow a round ball, rich and grainy, forming a paste in the mouth and sticking to the teeth so that the taste remained for a long time afterwards. Mmmm. He'd like to be eating some hardboiled eggs right now.
"I'm still kind of hungry," he told her.
She suddenly stirred. Lifted her hand from her lap and placed it on the back of his head. Ran the fingers down his neck and under the collar of his shirt.
Inwardly he recoiled from the touch but he kept his eyes on her face.
"You got nice skin like a girl's."
"Thanks."
"How old are you, huh?"
"Nineteen."
"Umph!"
She grunted as if she had just been stuck with a pin. Got up from the steps and gave him a slight, playful kick with the toe of her dusty slipper.
"Go on," she said. "You're too young!"
"How do you mean, too young?"
"Nineteen is just how old my own boy is! You better go ´way!"
He looked up at her and saw it was no use to argue. Big, heavy and dark she stood in the door of the trailer, her face set in a slight frown looking out at the sun. An old dago slut she was. Such women make little rules for themselves, more sacred than Holy Law. If he had said twenty-one or even said twenty, it might have been okay with her, but not nineteen because that was the age of her boy...
Oh, well.
...
His eyes went down once more to the trailer's peaked roof. He saw a thin curl of smoke rising up from the tin stovepipe and heard the rattle of pans. The old woman was in there like a catfish caught in a bottle. She was making herself some supper. She would eat it alone. Fat elbows planted on either side of the tin plate and her shoulders crouched way over. Wheezing a little. Washing it down with scalding black coffee. The rich, oily meat. A big piece. The old bitch. Oh, well. She would die some day. Some ugly disease like cancer. It might be already started inside her dark flesh. Just as well. A stingy old bitch like that...
He went on down the road. The air was fresh. A wind was coming up. He saw ahead of him, dimly, white frame buildings spotted with faint yellow light.
He could still taste the apple that he had eaten. The inside of his mouth was fresh and sweet with that taste. Maybe it was better that way, just having that taste in his mouth, the clean white teaste of the apple.

"Gift of an Apple", circa 1936.

Ladies and gentleman, a drama queen.

No em puc treure del cap el sexe d'ahir amb en D.
I ho escric amb patiment al rostre. Amb una ganyota dolorosa.
Jo encara em pregunto, perquè, visc el plaer tant pròxim al sofriment de la pèrdua.
És extenuant.
No poder controlar l'impuls d'anar a parar allà mateix; al beure, al fumar, al posar-li el dit al cul, al marxar.
Al sentir.
Aigua i fluïds.
Tot el dia. D. mirant-me als ulls mentre em menja el cony. Chaloupe.
D. mirant-me als ulls mentre em corro desesperadament. Cases victorianes. Tot el dia. D. penetrant-me, abraçant-me única i passionnant vegada. Transcripció de l'entrevista.
Cultura. Sexe.
Encostipat. Mocs densos i verds.
Marxant de la casa refusant el petó de bona nit.
Dolguda, trencada.
Morta dormint.

I can't get out of my head yesterday's sex with D.
And I write it with suffering in my face. With a painful grimace.
I still ask myself, why, I live pleasure as close as to the affliction of the loss.
It is exhausting.
Not to be able to control the impulse to end there; to drink, to smoke, to put the finger in the asshole, to leave.
To feel.
Water and fluids.
The whole day. D. watching me while eating my cunt. Chaloupe.
D. watching me in the eyes while I come desperately. Victorian houses. The whole day. D. penetrating me, huging me a unique and passionnant moment. Transcription of the interview.
Culture. Sex.
Cold. thick and green mucus.
Leaving the house refusing the kiss goodnight.
Hurt, disconsolate.
Sleeping dead. 

∞ making love to this place, fuck.

"I want to explain to you, and in the process perhaps to myself, why I no longer live in New York. It is often said that New York is a city for only the very rich and the very poor. It is less often said that New York is also, at least for those of us who came there from somewhere else, a city only for the very young".

Joan Didion



...That's why tonight, adored Joan, I'm not saying goodbye to this city. 
I truly feel myself here. Purely. Extremely. Deep. Harsh. Mornings also.



Lena, Lena, Lena.

Fa unes setmanes era a la Barnes & Noble d'Union Square on Lena Dunham feia la presentació i firma del seu llibre. No vaig poder veure-la en persona. Feia moltes hores (i fins i tot una nit) que una munió de jovenetes, dones, i algun noi, s'havien apoderat de tots els bracelets per poder ser a la sala on tindria lloc l'esdeveniment. De fet, la planta. La 4a planta de la Barnes & Nobles tota per Dunham. 
Si algun comprador volia un llibre d'allà dalt, havia d'esperar que un treballador li anés a cercar, o directament, tornar un altre dia.
Tothom esperant al tercer pis, on també hi havia una grandiosa cua de gent amb uns altres bracelets (els quals no els permetien ser a la presentació, però sí que la Lena els signés la seva còpia del llibre més tard) asseguts a terra, arrepenjats a les prestatgeries, fullejant el llibre de la famosa productora i escriptora i directora i model de conducta. Pengim-penjam, una corrua llarga i tortuosa de persones. Una noia que corria per allà em va dir que uns dies abans per la presentació de la Hillary Clinton, encara hi havia més gent. I jo em vaig preguntar:
-Amb aquestes aglomeracions, per què no feu les presentacions directament a la plaça de la Unió? Que la teniu davant!.
A les escales mecàniques, barrant el pas, un senyor de seguretat deixava passar les persones que eren a la llista. Talment com a qualsevol festa selecta. Algunes senyores pujaven amb una altivesa estúpida (aquella que et trobes a qualsevol lloc del món) i d'altres persones, sobretot la parella de Dunham -Jack Antonoff-  i la seva amiga i il·lustradora del llibre, Joana Avillez (Instagram bufó: joanaavillez), pujaven sense estirabots i relaxats ells. Amb la feina feta. 

En aquella planta, on també hi ha la cafeteria i un parell de pantalles, hi van sintonitzar la presentació que va començar amb el monòleg de la comediant i feminista Amy Schumer. Després, Lena va llegir alguns paràgrafs del seu llibre "Not that kind of girl" i després ella i Amy van respondre unes quantes preguntes, que anaven llegint de paperets dipositats per l'audiència en un cabàs menut. 

Servidora estava una mica descoratjada. No és fàcil tenir l'edat de Dunham, ésser de vegades comparada amb ella, ser una dona refotudament somniadora (segon mal devastador) i mandrosa (primer mal devastador), tenir l'ànim d'escriure sobre el nostre dia a dia i, fer-ho! (de tant en tant), i veure que no, que ni signo llibres, i que de fet, ni en publico. 

God.



Segons com, ser a primera línia de foc -pel que fa al cas, viure a Nova York- és molt fotut. D'altra banda, veure'ls de tant a prop, compartint el mateix paisatge urbà, els fa persones de carn i ossos, se't fa ben clar que fan un riu cada matí igual que tu.
D'aquesta manera tot és més fàcil de païr.

Bé, d'ençà que havia arribat a la presentació havia decidit que com que no aconseguiria que me'l signés no me'l comprava. Saps aquella fórmula de la gelosia: Ah, jo també puc escriure el que ella escriu, no aprendré res llegint-me aquest llibre, doncs no me'l llegiré. Doncs aquesta. L'orgullet.
Ei. Però estic molt contenta per ella i segueixo sent fan de GIRLS. Encara que em sembla que ja és una sèrie desfasada. Ella no és indie, és una celebrity, i això es nota a tots nivells.
La que sí continua sent una indie és la Jemima Kirke. Encara que sortís a mil capítols de Girls ho continuaria sent.

La desolació va fer que acabés travessant Union Square direcció al metro amb tres llibres d'autoajuda. Bé, un era el típic: 1001 frases per tenir confiança en un mateix, l'altre es titulava "Own your future", autoajuda de l'apartat que ells anomenen "career"... La tesi és que en una economia tant insegura ens hem de convertit tots plegats en emprenedors...i finalment, una mica de magia (no pot faltar tractant-se de mi), abraçar la sincronicitat, les coincidències, tralarí-tralarà. D'una senyora molt cristiana anomenada Carol Lynn Pearson.

I doncs aquest escrit és segurament el més constructiu que vaig treure'n d'una presentació que vaig viure a mitges.

"Transforming your life through Synchronicity. La veritat és que és una bella lectura plena de superació, esperança i gratitud. Certament en el transcurs de la lectura he parat més atenció a les meves "sincronicitats"; allò que penses en una persona i aquesta mateixa persona també està pensant en tu... aquest matí, sense anar més lluny, m'he llevat amb whatsapps de la Maria i en Gianmarco, i havia somniat en ells!... I després hi ha les altres sincronicitats, aquelles de rebre el que necessites tota l'estona, i sense demanar-ho, amb un mix d'haver-hi pensat + essent bona persona, amable, receptiva i ajudant les persones que t'envolten. Aquest passat divendres tenia gana i l'Alexander, el company de pis de la Savannah, em donà una hamburguesa, l'endemà jo vaig compartir el pollastre amb arròs amb ell. O avui al tren, quan he indicat la direcció a una senyora -deixant passar el tren que havia d'agafar- i ella m'ha agraït molt i molt les indicacions, seguidament, se m'ha abocat un rajolí del cafè que portava -shit!- i la senyora que tenia al costat -que ha estat testimoni de les indicacions que li he donat a l'altra- m'ha allargat un mocador de paper. 
-You are very nice! -li he dit. 
-You are very nice, too -m'ha dit ella. 
La vida és un cercle i tots som un. Ara mateix, sóc a l'Starbucks del Barclay's Center. Quan el jueu ortodox s'ha acostat a demanar-me si podia agafar la cadira lliure de la taula on sóc, li he dit que endavant, amb un somriure. Aquella cadira no era per ningú més que per ell en aquell moment. En definitiva, com la pel·lícula Amélie també. El secret és PENSAR EN POSITIU DESITJAR ALLÒ QUE ES VOL. OBRAR GENEROSAMENT I TOT T'ARRIBARÀ. Mira, acaba d'arribar una parella, nomès tenen una cadira, jo ara m'aixecaré, i els donaré la qual estic asseguda.

Bona nit."


PS: I de fons ara mateix estan fent Newsroom. Quina sèrie més refotudament ben feta. Visca les sèries de tv americanes. Sou uns masters. 

Sense pare

Un dia vaig tenir un pare. Fou un dia bonic, feia sol i la temperatura era ideal.
Fou fugaç. Un dia en una vida llarga i pròspera és tant sols un dia. Emperò, un dia pot ser el dia més important. Tot i que no deixa de ser un dia. I a mida que n'arriben de nous, de pares i de dies, aquell dia que vaig tenir un pare, se'n va a dormir. Quan encara estava despert, el dia esclatava llum i bons aliments. Ara, aquell pare que vaig tenir un dia ha marxat ben lluny, una separació forçosa, volent i sense voler, un esperit envalentonat. Avui és un dia nou sense pare, i és el dia més important de tots. 
Adéu.
Fou un dia interessant, que va morir. 
Fou un dia interessant, que van exterminar. 

WALT WHITMAN, I Sing the Body Electric


"1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul?
And if the body were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the folds of their dress, their style as we pass in the street, the contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through the transparent green-shine, or lies with his face up and rolls silently to and fro in the heave of the water,
The bending forward and backward of rowers in row-boats, the horseman in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or cow-yard,
The young fellow hoeing corn, the sleigh-driver driving his six horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, lusty, good-natured, native-born, out on the vacant lot at sun-down after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was of wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and beard, the immeasurable meaning of his black eyes, the richness and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal love,
He drank water only, the blood show’d like scarlet through the clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he had a fine one presented to him by a ship-joiner, he had fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish, you would pick him out as the most beautiful and vigorous of the gang,
You would wish long and long to be with him, you would wish to sit by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round his or her neck for a moment, what is this then?
I do not ask any more delight, I swim in it as in a sea.

There is something in staying close to men and women and looking on them, and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor, all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response likewise ungovernable,
Hair, bosom, hips, bend of legs, negligent falling hands all diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of love, white-blow and delirious juice,
Bridegroom night of love working surely and softly into the prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born of woman,
This the bath of birth, this the merge of small and large, and the outlet again.

Be not ashamed women, your privilege encloses the rest, and is the exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness, sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to the test of himself,
Whatever the survey, whatever the sea and the sail he strikes soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has no right to a sight?
Do you think matter has cohered together from its diffuse float, and the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.

Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings, aspirations,
(Do you think they are not there because they are not express’d in parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring through the centuries?
(Who might you find you have come from yourself, if you could trace back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful than the most beautiful face.

Have you seen the fool that corrupted his own live body? or the fool that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and that they are my poems,
Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root,
Strong set of thighs, well carrying the trunk above,
Leg fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward toward the knees,
The thin red jellies within you or within me, the bones and the marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of the soul,
O I say now these are the soul!"

2 lips, tulipes

It's been a while since I posted something in my lovely virtual garden...

I'm not writing that much this days. Well, I update everyday (or almost) my diary, Cartas a un dominicano is the title of this 2014 diary, but a part from that and some cultural articles here and there, I just run from one place to another through the streets of this cranky and hectic city. Not romantic, but poetic.

I'm still learning how to paint my writing. How to write my painting in order to get that unique mix of bravery and wittiness who will be recognizable from miles away.

This is LAURA!

The news today is that I officially joined a nice group of girls who reunite to read topless or directly naked. It was a sexy experience from head to toes. A friend of mine told me about it last year and this year I'm one of them. How amazing is life.

Well. I will transcribe a piece of my Cartas a un dominicano. Because I don't have anything more to say. because NYC absorbs myself entirely. because I write in English as a 7 years old kid does.


"Llevan unos trenchs bonitos. Creo que son de lana. Color negro o azul marino. Tienen los ojos claros y la piel de mujer joven-madura. Que bonitas son. Van con tres niños. Una niña con una corona de princesita en la cabeza y dos chicuelos.
He entrado en el tren. No había sitio para sentarme. Solo uno de estos puestos para dos de Priority Seating con un hombre durmiendo que lo ocupaba casi todo. Parece mendigo, porque sus jeans estan más gastados que los tejanos de un tío que trabaja en una mina. Con algo como arena marrón stick on it. Lleva una maletita roja con ruedas. Y su jaqueta con la capucha y un gorro. Y duerme. Al final he decidido tocarle la pierna, lo he tenido que despertar, lo siento, pero yo quería sentarme y escribir (te).
Delante tengo una pareja de hindús. Él le coge la mano a ella, que lleva las uñas pintadas de azul. Un azul que la ilumina... ya que va vestida con negros y grises. Y lleva una cadena bonita y unos pendientes menudos, elegantes.
Se quieren. Bajan en Broadway Lafayette Street. Ah..en la otra mano he podido ver que tiene el anillo de diamantes que esta mujer merece.
Ya han bajado. Se ha subido un chico latino de no sé donde. Lleva una jaqueta tipo bomber de Adidas de color negro. Tejanos y zapatos que están bien. Una gorra y un teléfono con una carcasa aparatosa. Lleva los auriculares y mira algo. No sé el qué porque no veo su pantalla."

"Hay demasiada gente cobarde."

"Se puso su albornoz negro de textura toalla suave y con sus iniciales bordadas en blanco en el pecho y sentado en el sofá y yo estirada a su lado, sin putas ganas de marcharme, me explicaba donde se encontraba la estación de metro." 

"Pero again, yo me tengo que responsabilizar de mi existencia, única y exclusivamente, y dejar las otras que se arreglen solas." 

"Que cosas más estúpidas estoy escribiendo. Es que no me gusta el instrumento que toca aquel chino de la otra platform." 

"Las olas seguían...creo que la lluvia un poco también...pero no...no no, eran solo olas medías, yo estaba mareada y tenía agua por todos lados y las olas se nos comían, y nos besamos un momento. Bonito."








My sexuality made public


HELLO FRIENDS, I AM LAURA CALÇADA AND I'M BISEXUAL ...And currently dating an incredible hot and caring young guy, that, although his long working hours, makes me very happy and proud of all his achievements.
"You just need to decide." "You just want an excuse to sleep with anyone." "You can't be faithful." "IT'S A PHASE." Bullshit... 
Lisa Diamond: "I can drive a blue car, or I can drive a red car. But I have a one-car garage".
Carlos Legaspy: "There's some indication that what makes a bisexual person may be less about what they're strongly attracted to and more about what they're not averse to". 
Earnie Gardner: "Hey, just because you're incapable of finding the beauty in both genders, don't hold your deficiencies against me. You have a handicap, I don't". 
Zelma Mae Bullock: "I find that people think I don't have boundaries. That's kind of unfair. I have boundaries just like any other person. I have character just like any other person. I know what my sexuality is. I know that I'm attracted to both sexes. But that doesn't inhibit me from building rapport with my partner or building intimacy." 
Many young people aren't sure what qualifies as bisexual. Eric Anderson: "Does their attraction have to be 50-50? What about if it's 80-20? Should they still consider themselves bisexual then? Should they adopt that identity? Many young men" (and I add, many young women) "don't know, and they're not in a rush to put a label on that uncertaintly."

(Excerpts from the article "Bisexuality comes out of the closet", The New York Times Magazine, March 23, 2014)

It wasn't: "Laura is playing the macho" back in the days in Barcelona, when I was expressing out loud how sexy was that chick in the club... amusing my male friends and myself and making my girlfriends go: "Laura's wild side again".

It wasn't a game when talking about how extremely beautiful is sleeping with A WOMAN. 

It wasn't to provoke anybody when talking about sexuality in an open way. 

I think I'm going to marry a man, I want my children to have a masculine figure (coming from a male) and besides, I LOVE MEN. But, I can't tell you if I am going or not going to fall in love with another girl again someday or if Milena and Laura will remain as my only real muses forever.

VISCA L'AMOR FELIÇ !

True story

La separación entre la melancolía y la dicha no es más ancha que el filo de un cuchillo.

Virginia Wolf.

                                                                       Laura amb 24 anys de la mà de Leopoldo Pomés, juny 2012.

Bona nit i bon dia


Són les 5:11 del matí i per la Rambla hi passejen turistes joves beguts i turistes de mitjana edat beguts. Els senyors de Barcelona Neta reguen els terres i les cantonades. Pixum, sangria i quatre gotes de whiskey. A les escales d’algun portal, a la plaça del Rei, hi ha tres noies amb faldilles de disseny i botes, que riuen fort. Una parella camina agafada de la mà, són les 5:14 però ells no ho saben, han perdut el compte del seu conte. Dos nois i una noia surten del Sidecar. La noia els hi està explicant coses molt divertides, els nois riuen de valent i se la miren amb bons ulls mentre deslliguen les bicicletes per tornar cap a casa. Els turistes criden i semblen simis agafats tots pel coll. Un porta un barret i els altres les camises blau cel mig obertes i el pit jove. A la font hi ha un grup que es fa fotos amb el telèfon. Són moderns, fan posturetes.
Una altra para un taxi per acostar-se fins la Barceloneta. No porta bossa així que no te por que li robin res. Vol veure el mar, que està fosc, que és col·lega de nit.
Ell puja ciutat amunt, per un Passeig de Gràcia luxós, eixut i fred. Els camions d’escombraries també fan ruta compartint carrer amb els taxistes discrets.
El City Hall tanca portes i tots els jovenets engatats seuen als bancs de davant l’establiment seduint amb més o menys destresa les últimes preses, opcions o oportunitats de la nit. Cap ho nota encara, tots ho comparteixen, però la catipén alcohòlica és ben desagradable.
Mentrestant, el matrimoni dorm al seu llit comfortable de Via Augusta cantonada Plaça Molina. Al pis, silenci. Nomès de tant en tant el radiador fa algun espetec.
Els pakis encara fan l’agost venent les últimes servesabíer; o haix o el que escaigui.
Els regulars comparteixen la Plaça del Sol i un peregrinatge fidel que no la deixarà si no és per tornar-hi a petar. Un noi grec es creua amb una noia i els dos es besen apassionadament al mig del carrer Verdi. No hi ha abans ni desprès i serà una història llarga.
Els establiments estan tancats i encara hi ha aquell grup de francesos que s’ha ajuntat al voltant de la font del Parc de la Ciutadella tot trobant un moment que els acompanyarà per sempre.

Aquesta és la ciutat que recordo a les 11:21 minuts de la nit des de l’altre cantó. Ara visc en una urbe de vuit milions de persones i això em fa recordar la meva adorada Barcelona com el barri més bonic que tinc al cor. El racó més distret i previsible del món.
D’aquí poc ja clarejarà. A can Foix vendran pastissos i als Tres Tombs es continuaran servint tallats i entrepans de formatge. 

ÀNIMA VIVA


I em diu que jo nomès escric coses per gent que em fa sentir molt o alguna cosa així. Espero que hagi volgut dir que, de tant en tant, escric coses per la gent que m’importa, si SEMPRE és així, quina puta merda de literatura la meva. Per teràpia vés al piscòleg! Tot i que segur que ho feia perque volia ser protagonista de les meves paraules. Ailàs, si ja ho és. Qualsevol cosa l'escric amb el cor i el cap, i qualsevol que és al cor, és cor. Whatever. Avui he dormit 3 hores i per moltes voltes més que faci al llit, l’únic que aconseguiré és fer l’embolic de manta més gran. Haig d’acceptar que quan hi ha claror, ja no hi ha salvació possible.
Gràcies nina de cera, bella figura real i tangible. Per què encara no ho havia fet? Perque crec que ho faig i ho dic i ho escric i t’ho expresso cada dia. I saps què més?, de vegades un silenci seguirà dient més que mil paraules, sí, that sucks for writers.
Si la vida són etapes... jo sóc afortunada, tu ets la flor olorosa del meu jardí i com que ets sagrada, no et marciràs mai. 











http://www.youtube.com/watch?v=MqHHZrGKk3k
http://www.youtube.com/watch?v=rRva0YOVtcI


El deseo es salado (o montículos de sal en medio de la nada, tan bellos como las montañas nevadas)


El deseo es salado y la sal conserva los alimentos.

Aunque el deseo tiene fecha de caducidad.

Pero la sal conserva el deseo.

Aún así, este tiene fecha de caducidad.

Seguro? Has visto un bacalao “en salaó”? Resiste y vive y vive y se mantiene; ya lo hacían los sabios romanos.

Pero el deseo tiene fecha de caducidad.

Seguro? Cuánta sal mantiene el mar?

Si, el deseo es infinito pero caduca.

Y sonrío.

Tu contradicción ligada a este deseo es tan imposible de substituir como la sal para aquel rey del cuento. Este deseo que llena tu pequeño cuerpo de partículas saladas, buenas, bonitas, sabrosas.

Cuánto tiempo dura el deseo?

Tanto como estas mariquitas de plátano doradas y crujientes.

Pero tú sabes que las chicharritas amarillas desaparecerán del plato y la sal quedará ahí.

Pero hay tanta sal en el planeta Tierra! Que qué valor tiene este deseo salado?

Si, si bien el deseo es siempre el mismo y está en todas partes, uno no puede negarlo, porque su gusto es demasiado intenso y característico... Y dura, y caduca, y vuelves a descubrirlo, de nuevo, aunque sea el mismo.

El deseo es salado. Puede ser flaco o gordo como la Maldon. Pero el deseo se te ha metido en los pantalones, dónde esta la sal ahora? La sal está en tu cabeza.

Y como pica en la herida! No puedo acabar de darme placer con este dolor. Pero recúbrela toda de sal, la gran mancha de vino en el mantel, y deja que limpie el charco –sagrado?-

O nada.

Pon esta sal dentro del frasco más bonito y envíalo, con un suave toque, a la parte más profunda del armario blanco.

Ahí se mantendrá el deseo. Pero no te engañes, ahí estará la sal, para siempre, deseo.

Y a veces querrás darte placer pero alguien habrá salado tus genitales, como los camiones salan las calles para no resbalar. Y entonces no podrás, y entristecerás y enfurecerás, pero seguirás provándolo una y otra vez; lucharás intentando ser más terco que el deseo que inunda tu sexo. Y eventualmente terminarás tu plato en la oscuridad de la noche. Y por la mañana, las partículas saladas que irás encontrando aquí y allí, te recordarán un deseo eterno.

Un deseo de vida, un gusto por el vivir.

Tócate sal. Salada. Siente este deseo que es salado y que no muere, revive y revive y primero escuece, pica muuuucho, pero luego cura. Cura como todo en la vida, con el tiempo, sana porque se ha abrazado al amor.

Y ante la incapacidad de que llegue este placer, la tensión y la noche y el viento, te agobiarás y cansarás y recordarás las lágrimas del principio, sal en tu boca, y volverás a coger la pluma y te preguntarás:

-Y si dejo el deseo sin calmar?

Va, bien, pero sin probar esta sal la vida es insípida y te falta algo, y tú lo sabes.

Cómo se que es salado? Porque he provado las lágrimas de tu deseo;

Y mis ojos cerrados ya no se si –el ruido- es viento o es el mar (bravo).

Me he dormido en la arena, esto son las olas. Pero este lecho es cómodo, tengo una manta muy suave y es negra noche, ojos abiertos, deseo guardado, viento invencible.


Entonces me he convertido en alguien que no puede comer demasiada sal, que retiene líquidos. O ninguna! Que no me conviene por prescripción médica. Pero ya no me inquieta, cierro los ojos de nuevo y descanso. Hasta que vuelvas a llegar, deseo salado, y me arrastres hasta dentro cuál corriente marina.

Sal fina, sal gruesa, sal baptismal, sal moneda de cambio, sal Kosher, sal aguda, sal que cura, sal tonificante, sal mala, sal de aquí.